A Review by Sam LeGassick
Starring: Denzel Washington, Chris Pine
Directed by: Tony Scott
Rated: PG-13 for sequences of action and peril, and some language
Movie Released: 2010
This review is written by guest reviewer, Sam LeGassick. The review below was taken with permission from Sam and placed on BoxOfficeBoredom.com. Sam is an avid Movie, Television and Video Game geek, and posts various reviews on his website, The Wild Bore. To visit Sam’s site, click here.
Why, oh why, oh why do I even bother going to see a Tony Scott film, they are unbelievably awful. The camera is all over the place, making me feel sick, his focus pulling, sweeping shots, intense close-ups and shaky-cam look unprofessional to say the least. This whole effort to create action through a flimsy script by making the audience feel like they are on a rollercoaster is, in essence, playing on people’s stupidity. By drawing their attention away from what matters, it’s like dealing with a thick child who has fallen over; he’s so taken away with a cuddly toy that he forgets that his knee is bleeding everywhere – and watching this film was definitely painful.
The journey to even get this film made was painful. The overrated diva that isDenzel Washington refused to have his $20 million salary cut holding up production. Tony Scott even got his pay cut to $4 million, though God knows who would pay him so much. It’s a recession remember? The entire budget for the film was $90 million, so you can see how much of that was spent onDenzel’s pulling power. Finally the film got made and is ‘inspired by true events’. This statement always makes me laugh. Isn’t every creation inspired by true events? Based on true events is something different (and usually a lie in films anyway) but ‘inspired’ by true events? You could say that about a diary of birdwatching – which would probably be more interesting than this film.
In any case, a train is left accelerating by accident without anyone driving it and it’s left to Washington and Pine to save the day. Denzel plays his classic ‘everyday’ hero role that he usually does, especially in Tony Scott films, and Chris Pine tries to keep some integrity in the film by giving off a clearly angry young man on his first day on the job. How unlucky for him then. There’s some lacklustre back story which is to fill in the gaps where trains are moving because, as every commuter knows, train journeys are usually very boring. The two bond and it’s supposed to show a coming together of generations, and a somewhat meagre attempt at how people are losing their jobs, which Denzelcan obviously sympathise with seeing as they were unfairly offering him only $16 million – the cheap bastards, no wonder he was threatening to pull out.
They film the train like it’s a monster on the rampage when it seems to be going at different speeds from shot to shot. It needs to be stopped before it goes round a rather nasty bend which is inconveniently located above a bunch of fuel tanks and is carrying a load of flammable liquid as well. Not ideal then – who decided to put the train track there? So yeah, they have to stop a train. When I came out, some people were saying how great it was and that it was ‘just like that programme 24′ – so I guess there’s always a market – for idiots – who probably don’t watch 24 anyway. I was also annoyed I lost a button on my coat which got caught on the drinks holder as I stood up. That didn’t help.
There’s some explosions and it has Rosario Dawson in it as a dressed down stressed out worker, but she’s still hot – and for the ladies Chris Pine has his shirt off at the beginning of the film so maybe watch it for that and then leave. I would rather have not gone and then I’d still have that button. Stop the Unstoppable and just don’t watch this film.