Archive for February, 2010

500 Days of Summer Cast (2/27/2010)

The latest episode of the Box Office Boredom Podcast is now up for your listening pleasure. In this episode, Jason and Isaac debut another edition of See It or Skip It, and offer up a movie quote trivia challenge.

We finish off the show with a spoiler ridden review/round table session with guest Matt on the film (500) Days of Summer.

We also encourage you to join in the interactive portion of the Epic Debate, our online discussion page that you can join in on by becoming a fan on facebook. Become a fan of BoxOfficeBoredom.com and join in the debate.

If you aren’t a subscriber to the podcast, subscribe via the link on our sidebar and get every new episode downloaded into Itunes or your favorite podcast software. If you want to be a one- time listener (but why would you just want to listen to just one?), Listen on the embeded player below, or just click Here and it will take you directly to a embedded QuickTime file in a new window.

Facebook Fans Free Friday Flick Pick of the Week

For the readers of the site, we recently launched the BoxOfficeBoredom.com Facebook Fan page. Along with sharing news of upcoming reviews we have some great things planned for all of our Facebook Fans. Aside from picking a Facebook Fan of the week, discussion forums and giving out special notice to some other movie blogs of note, we are doing a Free Friday Flick Pick of the Week.

The Facebook Fans Free Friday Flick Pick of the Week is a film suggestion that is online for free. The goal of the project is to help you plan a movie night with your family and friends for free! All you need to do is provide your own popcorn!

Our Facebook Fans Free Friday Flick Pick of the Week will be available only to people who become Fans of BoxOfficeBoredom.com on Facebook, so join us on Facebook today!

The Big Show: High Times…:Steve Pond

The Big Show: High Times & Dirty Dealings Backstage at the Academy Awards

by Steve Pond



Book Review by Jason King

I’ve met movie lovers of all kinds over the years. I married a movie lover who doesn’t go too far without a good book in hand, and I know a guy who still believes he could be a great film director without ever reading a book. After all according to him, the reason he wants to make movies is because he hates books. I for one have always found that movies and books go hand in hand. Sometimes a great book can give you more insight than any movie ever could. Now, as you all know, I love movies (even though my reviews may not always seem like it)! And so it should go with out saying a non fiction work about the film industry just might be something I would enjoy. Over the past few weeks, I had a chance to read a book about the super bowl of movies- The Academy Awards- and thought I would share a few thoughts about it with my fellow movie lovers.

The Big Show: High Times & Dirty Dealings Backstage at the Academy Awards by Steve Pond gives you a backstage look at what goes on backstage each year at the Academy Awards. Pond’s journey into Hollywood’s mecca of film award shows starts as a magazine article about the award show but turns into a book that focuses on a 15 year behind the scenes journey through Oscar history. With each chapter devoted to an Oscar year, Pond takes you step by step through Oscar history from 1989 to 2005 from the opening choice of a producer for the year’s show all the way to the Governor’s Ball celebration.

People who love to know how the Oscars tick will be find this book an easy read. It makes you feel like a fly on the wall through the Oscar planning stages and the big show itself. As a reader you get Pond’s take on some of the back stage antics of some of Hollywood’s biggest stars. You find out who is a backstage diva, who’s easy to work with, who is high maintenance, and no maintenance at all. If you’ve ever wondered how the Academy chooses their winners, or even what great lengths they go to make sure the winner is not known until Oscar night, this book gives you a nice over view. From the planning stages of gathering up Hollywood’s A list to designing the set, Oscar budgets and all the details that go into making each award show a success (and the headache the goes with it!), Pond’s book lets you delve head long into the world of the Oscars.

The problem with Pond’s book is that it becomes much of the same old stuff chapter after chapter. Pond points out how after the disaster of an Oscar show done by Alan Carr in 1989, the Oscars begin to follow almost a formulaic pattern created by Oscar producer Bill Cates. Much like Cates’ Oscar Show, the book follows a similar format. Because of that, you feel that you keep re-hashing the same content over and over again as you make it past the half way point. It is the back stage antic of some of the stars, and Pond’s no shame, dislike for Harvey Wienstien that keeps you turning pages.

When it comes to a comprehensive book about how the Academy Awards have been pulled off, Pond’s book is a quick easy read. I enjoyed it, despite the repetitive nature of each chapter. If you really don’t know much about the Oscars and want a book that will get you feet wet, The Big Show: High Times & Dirty Dealings Backstage at the Academy Awards might be the book for you.


The Wolfman

A Review by The Mike

Starring: Benico Del Toro, Anthony Hopkins, Emily Blunt
Directed by: Joe Johnston
Rated: R for language, violence, domestic abuse, sexual content
Movie Released: 2010
IMDB Link

When it comes to film adaptations, I’m a fanboy first and a critic second. I enjoyed the Fantastic 4 movies. I’d rank Iron Man as my favorite comic book film. Heck, I saw Van Helsing multiple times in theaters. Once I’ve made up my mind that I love something, I lose my head. So, when the news broke that Benicio Del Toro would star in an update of my favorite Universal monster flick, The Wolf Man, I became that drooling mindless zombie that I become in these situations, and waited for the film with the highest of hopes. I waited a lot longer than expected due to some delays, and after finally seeing the film tonight, it hurts to say that I can see why.

Directed by Joe Johnston, The Wolfman is a technical disaster. Sure, it’s got some atmospheric scenery and a moody score from Danny Elfman to make it seem slick, but there are so many things going wrong throughout the film. Several transitions are handled with mind-numbingly annoying gimmicks like white flashes between shots or characters moving with ghosting between steps. It seems like half the movie is composed of the camera lingering on the scenery while we wait for action to occur, and when action does occur it’s mostly in quick, unrecognizable bursts. The few full on shots of our werewolf lead are pretty impressive, and I wasn’t bothered by the CGI approach to the character in them – but it’s clear that the CGI was primarily needed to make the action scenes more comfortable for modern audiences.

Apart from the visual flaws, the story is far removed from the original tale and takes some ridiculous turns for the worst as it barrels along carelessly. Characters and relationships are changed entirely, and scenes that branch out to other locales seem to be filler. I understand that adapting a 70 minute film like The Wolf Man requires a modern filmmaker to add some elements to the story, but I’ve always been a fan of keeping things simple. By adding to and changing the story in so many ways, the film becomes more convoluted and less interesting at the same time.

The actors provide the film’s highlights, but even they aren’t at full strength. I’m a big fan of Del Toro, and he physically fills the role well, but there’s not as much time developing his character as the much shorter original spent developing Lon Chaney, Jr’s. Emily Blunt is the other highlight as the damsel in distress, but that’s mostly because she’s so ridiculously good-looking. Hugo Weaving does his usual adequate job as the Inspector on the wolf’s trail, leaving me the biggest name in the cast to consider – Sir Anthony Hopkins as Lord Talbot. By far the film’s biggest misstep is the characterization of the father that Hopkins portrays, and it seems he was given free reign to ham it up as much as he wanted in this role. This leads to an over-the-top and considerably silly performance from the Oscar winner. I’ve always been a big fan of Claude Rains, who played the original Lord Talbot, but I’ve rarely missed him as much as I did while watching Hopkins in this film.

Combining the facts that the film is technically annoying, ridiculous in plot, and features underwhelming acting with the far fall the story has taken from an incredibly simple 1941 script that captured the tragic nature of the Wolf Man character perfectly, and it’s hard for me to find much good to say about this film, even if I was prepared to throw caution to the wind as a fan. While I’m sure that fan in me will return to this film a few more times, continuing to hope I find the things I loved about the original tale, I can’t find it in me to recommend the new Wolfman at all.

But hey, this is Hollywood 2010! We can get a reboot next year, right? Please?

A Trip to the theater 101: The Class They Don’t Teach You in School

Written by a Cranky Film Geek

Everyone loves to go to the movies, myself included, but I am going to let you in on a few little secrets that everyone should know about attending a movie theater. This is the stuff they don’t teach you in school because some of it is common courtesy, others are just plain idiotic. Through my years of spending way too much time staring at the big screen, I have finally decided to share my observations during a trip to the theater.
1. Ringing Cell Phones are the most annoying things in the world. We’ve all been at a movie and had the one guy that has his cell phone go off. You want to punch that guy in the head. Don’t be that guy. Believe it or not, your cell phone is annoying to the people around you.

2. Cell phones in general are annoying. When you are at the theater, there is NO call, I repeat NO call that is that important. Turn your phone completely off when you are in a theater. The vibrating noises, you crawling over crowds to run out the door and answer your phone, or even those annoying bright lights that your phone gives off are distracting to some people. Text messaging is equally annoying. Your phone lights up. You may think you are being courteous by turning the ringer off but that’s not enough. There was a time before cell phones. People made it through the entire movie without having to take that call from their friends! Chances are if you are in a movie and your parents call to tell you that they need you to pick up a gallon of milk on the way home they will leave a voice mail, or call back later. Don’t pick those things up!

I will of course cave on my take cell phones if you are a member of an emergency service group (police, EMT, volunteer fireman) or if you are on the waiting list for an emergency lung or heart transplant.

3. Answering your phone in the theater is one of the dumbest things you can do. Every time someone has the nerve to actually answer their cell phone in a theater, I like to throw a rock at his or her heads. Luckily for me, it’s dark and there are plenty of people in the theater for you to blame it on. It’s just as annoying when you run out the door listening to the person talking to you because you have answered your phone as you are exiting mid movie. I always keep a supply of rocks in my coat pocket. Don’t make me hit you with one or two.

4. The movie theater is not your couch. When people enter a movie theater, they immediately think that they can do what they want. They talk to each other, answer cell phones, chatter away, complain about the stupid parts, sometimes even talk about what they are doing after the show. You are not the only one in the theater! Stop talking! Just because everyone else is doing it doesn’t mean that you should too! Realize they are idiots and don’t become one of them. Start throwing rocks at them like I do.

5. No one really needs Play By Play commentary for a movie. I once sat by a girl from ISU’s Delta Delta Delta Sorority while attending “Runaway Jury.” She in her infinite stereotypical wisdom, asked her boyfriend what was happening in every single scene. He then would break it down for her while the next scene was happening. As soon as he would finish, she would ask, “So I was listening to you, so like what just happened there?” After an hour of this, I finally got up and went home. The same type of thing happened in Suspect Zero! Come on people, If you are going to be confused, why always with the stupid films? The point is shut up and listen, and talk about it afterwards. If you don’t understand the plot or the point by the end, the movie was either very bad, or you are too stupid to watch it!

6. The Box Office Cashier has no idea what you want to see. Every night at least 10 people walk up to the box office, slap a $20 bill down and say, “Two please.” Two tickets to what? Theater workers don’t know. They can’t tell by the way you look at them, they can’t tell by how you are dressed and they can’t read minds. So, don’t get all defensive and mad when the cashier asks you 2 tickets to what? The only time a theater worker actually can tell what movie you are probably going to is if your choices are “Phantom of the Opera” or “Boogeyman” In that case personal appearances more easily determine what you are going to!

7. You can’t get your money back because you don’t like it. If you make it all the way through a movie and you realize It sucked, whose fault is it? It’s not the theater’s fault because you made a bad choice, it’s your fault. Why then, do people think theaters should give refunds because you didn’t like it? That’s like eating an entire pizza and then taking the empty box up to the counter and demanding a refund because you don’t like pepperoni and would rather have had sausage. That’s just ridiculous. You bought the ticket, like the film or not, once it starts you shouldn’t get a refund.

8. Contrary to popular belief held by all parents, because you have children that does not mean you have special permissions to ruin people’s movie going experience. It’s not like audiences give you a special pass “to ruin it up” for all others at the theater. You might be surprised to learn this, but people in the back of the theater want to watch the movie just as much as the people in the front. Therefore, standing in the back of a theater cradling your screaming, sniffling, crying child is probably not the best of ideas.

9. Most movie theaters DO NOT Sell movie posters. They would look cool on your wall. Can you have them? No. Can they sell them to you? No. Why? Because they are not the theater’s property to sell. What do theaters do with them? They put them in the trunk of the manager’s car, they burn them, they destroy them or they use them to build a nuclear weapon. Your choice. Next question please.

10. Why are those snack bar prices so high? Because that is how theaters get their money. Theater payroll comes from the Milk Duds you buy. Most theaters don’t see much more than a few dimes from your ticket prices. And here is another hint for you, the theater employees pretty much share your universal attitude that prices are too high. However, it is how they get paid and no one is forcing you to buy concessions.

11. You can’t bring your own food into movie theaters. Does this sound insane to you? Some theaters don’t sell coffee, pizza, sub sandwiches or alcohol. That doesn’t mean it gives you a right to bring it in. The theater doesn’t sell hand grenades either, but do you really want the crazy guy next to you to sit there happily with one?

12. Just because someone sits in one “row” does not mean that is the best seat in the house. Every time I go to a theater, I go early and have done some research. Regardless of where I sit in an empty auditorium on a slow day, the other people that come in afterward crowd around in the seats near me. Some even sit Right NEXT to me. I once spent a nice night with my girlfriend in a near empty movie. Sitting right next to me the whole time was the only other couple watching the film.

13. When a film breaks or projectors break, don’t flip out. Stuff happens. The movie is not on CD, you don’t just have to push the play button again. Kindly inform the usher there is a problem if you don’t think they know about it. Chances are your film shut down and somewhere upstairs a minimum wage employee is trying to untangle a ball of film that’s on the floor. Be patient and wait. It’s not like theaters are purposely trying to aggravate you.

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