Archive for February, 2005

Constantine

A Film Review By Jason L. King

Rating:Rated R for language, Violence and some disturbing images
Starring:Keanu Reeves, Rachel Weisz
Directed By:Francis Lawrence

Final Grade:

After taking a long sabbatical from the movie world, I tossed myself headlong into the grips of the movie gods once more, wasting my time and my buck on few movies for the sake of my loyal readers. Six hours later, I come bearing news. Since I last wrote a review, which was Hide and Seek, few things have changed. We are still trapped in the springtime Hollywood doldrums where the movies in the theaters are as cold as the weather outside. The secret is to find the few nuggets of greatness hidden amongst the list of letdowns. I thought I might have found that nugget by taking in a showing of Constantine. The problem was, after it was all over, I still don’t know if I succeeded.

Constantine is yet another movie adaptation of a comic book character. Digging deep into the comic book underground the story of Constantine is the tale of a man named John Constantine who fights the demons of hell here on earth. As a young boy, Constantine saw visions of demons which drove him to suicide. Due to his Catholic Upbringing, suicide kept him from heaven and sentenced him to hell. Problem with it was Constantine survived his suicide. Now trying to earn his way into heaven, Constantine fights Satan’s demons from defying what he calls “The Balance.”

The makers of Constantine sought out Matrix Star, Keanu Reeves, to play the DC Comics chain smoking demon slaying , John Constantine. Reeves, who in real life is a jittery chain smoker just like his character, does a great job in this dark anti-hero role. He is cold and calculating, and other than a few cheesy uttered lines, Keanu is on the top of his game. His co-star the always lovely Rachel Weisz does a decent job as well. Character build up is by far the best thing about this tale. The makers of the film make sure that we as an audience cares about Jon Constantine, even though deep down inside we know he is a very unlikable man. Constantine is a man whose inner demons (his alcohol addiction and his chain smoking) are beating him down twice as hard as the demons around him are. None the less despite his unlovable nature, you like Constantine because the movie does a nice job of playing him up as a good guy, despite his cold nature.

The story is definitely an interesting one, and the idea of a battle between God and Satan for the souls of all of mankind makes for an interesting tale to say the least. The problem with the whole story was many times I felt the plot lacked explanation or detail for some actions by the story’s minor characters. The film jumped from disjointed story to story and tried to tie it all together in the end. Unfortunately the dragging disjointed plot line felt as though it should have long been over before the climax had started. I remember looking at my watch 1 hour into the film thinking it should have been over already, and being very surprised to find out that I had a long way to go yet. The more this film droned on, the more the film felt as though it lost it’s focus, and it’s interesting special effects etc. Visions of “hell” were cool the first time, but just like in the Blade Films (in which you see blade slice up more vampires into ash than you will ever need to see), Constantine does the same thing with the same effects.

I also couldn’t help but feel as though the film was a 2-hour JEL ad, talking about how smoking kills and causes diseases like lung cancer. As Constantine lights up a cigarette and slays another demon, I couldn’t help but think of one of those insane Jel Activists stetting up the Q&A podiums across the street, and eventually shouting at Keanu, “Mr. Constantine, You don’t want the demons to kill you but why then do you inhale that demon smoke into your lungs? Can’t you seethe corporate demon is killing you?” The “smoking is bad!” hints are there if you look for them, and It gave me a very good laugh.

In the end, Constantine delivers 2 hours of entertainment, but doesn’t really pack any long lasting punch. It has solid and interesting characters with great character development, but it forgot to bring a great plot with it as well. I wanted to like Constantine more than I did. I felt cheated by the film. I guess I wanted something a little darker with a little more explanation. Constantine just didn’t deliver. Problem with that was, No matter how much I didn’t like the film’s plot and will never watch Constantine again, I know I would be fooled into watching a sequel to the film if Keanu was still attached to the project. Maybe it’s a strange love for Keanu, or maybe it is my newfound love for the Constantine character that makes me want to pick up a few more “anti-hero” comic books. Conclude what you like, but while Constantine fails on one level, it succeeds on another. I wouldn’t rush out to theaters to see it, but fans of the comic book films shouldn’t be afraid to pick it up as a rental later on down the road.

Boogeyman

A Film Review By The Mike

Rating:RATED PG-13 for spookiness, bloodiness, and creakiness; plus lots of use of keys as phallic symbols. 
Starring: Barry Watson, Emily Deschanel 
Directed By: Stephen T. Kay 

Final Grade: 

There’s nothing more human than a fear of the irrational. At least, that’s what I hope is true, considering the myriad of stories my parents could tell about my childhood neuroses. But really, when we were little, we all knew there was something in that closet. I mean, there had to be. Never did we mind the idiotic notion that closets only have one door, and once we’ve checked them and gotten into bed without turning our back to them there’s absolutely no rational way for something to have gotten in there. Still…it was sooooo there.

And that’s where Boogeyman, the latest effort from the producing team of Sam Raimi and Rob Tapert (who need no introductions), picks up. The film drops us into the story of Tim, a young boy who has that same fear…and apparently good reason to, after seeing his Michael Douglas look-alike father sucked into the closet multiple times by a force not fit for man nor beast.

Tim’s now in his early 20’s, and is off being a successful something or other with a rich young girlfriend. None of that matters to him at most times, because he spends a good majority of his time staring randomly at closets with a mentally-challenged look on his face. To make matters worse, the death of his mother brings him home, where a seemingly wise children’s psychiatrist tells him he should spend a night in the house to, y’know, make things all better.

Yeah…like that’s gonna happen. Tim goes, and things get weird. But Tim does the right thing, and it’s something few horror characters have ever done. He realizes things are getting weird…and gets the hell out of town. I can’t tell you how happy I was when he did that. Of course, it didn’t matter too much, but that’s a different story.

I think my last anecdote sums up Boogeyman quite nicely. As a horror film, it isn’t afraid to do things others haven’t done before, but it seems to revert back to the solutions and inner workings of previous films at times too. There’re creepy noises, visuals, and shadows that will seem all too familiar to the hardcore horror fan. We’ve got the ominous little girl, we’ve got the shadowy figure, we’ve got the creepy stairwell, we’ve got the room whose walls are covered in a madman’s ravings, and we’ve got many more horror hits. But this movie isn’t afraid to take its own liberties, to shake things up a little, and to at least try and seem like its own film.

It may just be a Nightmare on Elm Street and Halloween lovechild, but Boogeyman does manage in many ways to seem like something a horror fan hasn’t seen before and to present itself in a manner that is, at the least, a good distraction. From the imposing introduction to the psychologist approved finale (which does go a little too far over-the-top, sadly), Boogeyman is a diversion that should at least keep horror fans or casual viewers somewhat involved in its puzzle.

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